Aquí está DJ Carlos
¿Pero cuál Carlos?
El del pantalón corto y el bicho largo (jaja)
Dice
Yeah
Que me sigan toa' las palga'
Gorda', flaca' que el perreo lo dominan
Y si se portan bien, ya saben también
Que yo no amarro, que yo las pongo en nómina
Que me sigan toa' las palga'
Gorda', flaca' que el perreo lo dominan
Y si se portan bien, ya saben también
Que yo no amarro, que yo las pongo en nómina (uh)
Sin pensarlo te voy a machucar, -car
Voy a darte alante y por detrá', -trá'
No es popera, pero quiere por ahí atrá'
Austin ya me dijo que tú ere' tremenda sata
Sin pensarlo te voy a machucar, -car
Voy a darte alante y por detrá', -trá'
No es popera, pero quiere por ahí atrá'
Austin ya me dijo que tú ere' tremenda sata (prra) (wah)
Y si te viré yo, tú sabe' que
Yo te lo meto (sí)
Yo empiezo perreando y te falto el respeto (sabe')
Te pongo a cabecear y eso pa' mí es sí, sí (what?)
Con una en bellaquera, ma, a lo De La Geezy, perreando
Ay, sí, sí, sí
Mucho krippycito, ma', yo sé que tú fuma' (uh)
Ay, sí, sí, sí (what?)
Andamo' bien suelto' y ya descatamos a Maluma
Ah, tráigamo' la mota, que vamo' a quemar
To' lo que me pida' me lo voy a dar
Hoy nos vamo' a dañar
Si me ponen a quemar, si me ponen a fumar
Claro que vamo' a hacerlo
Vamo' a romper la regla, vamo' a portarnos mal
Así vamo' pa'l infierno
Desde ayer me dejaste mal de la cintura (¿de qué? ¿de qué?)
De darte tanta candela pura (wuh)
Que me sigan toa' las palga'
Gorda', flaca' que el perreo lo dominan
Y si se portan bien, ya saben también
Que yo no amarro, que yo las pongo en nómina
Y que me sigan toa' las palga'
Gorda', flaca' que el perreo lo dominan
Y si se portan bien, ya saben también
Que yo no amarro, que yo las pongo en nómina
Don Juan
MadMusick
The lyrics to "Nómina" by Maluma, Jowell, and Randy delve into themes of sensuality, empowerment, and freedom. The song begins with a playful exchange between DJ Carlos and others, setting a carefree and lively tone. The lyrics emphasize the power of women who confidently dominate the dance floor with their curves and moves. The repetition of "que me sigan toa' las palga' / gorda', flaca' que el perreo lo dominan" highlights the inclusivity of the dance floor, where women of all shapes and sizes are celebrated for their ability to own their sensuality.
The lyrics continue to exude a sense of assertiveness as they talk about not holding back in expressing desire and pleasure. The lines "Sin pensarlo te voy a machucar, -car / voy a darte alante y por detrá'" exude a bold and unapologetic attitude towards intimacy and pleasure. The reference to Austin, who's described as knowing about a woman's wild side, adds a layer of playfulness and confidence to the narrative.
The song then takes a more explicit turn as it talks about indulging in marijuana and breaking rules for the sake of pleasure and freedom. The lyrics convey a rebellious spirit as they express a willingness to embrace hedonism and adventure. The mention of causing an uproar and pushing boundaries further emphasizes the theme of living in the moment and defying societal norms.
Lastly, the lyrics return to celebrating the empowering presence of women on the dance floor. The refrain of "que yo las pongo en nómina" serves as a metaphor for valuing and appreciating women for their confidence, beauty, and assertiveness. The song overall conveys a sense of freedom, empowerment, and exhilaration, urging listeners to let go of inhibitions and revel in the joy of self-expression and pleasure.
Aquí está DJ Carlos
Introducing DJ Carlos, signaling the start of the party atmosphere.
¿Pero cuál Carlos?
Questioning which Carlos is being referred to, adding a playful element.
El del pantalón corto y el bicho largo (jaja)
Identifying Carlos by his short pants and a bold attitude, blending humor and bravado.
Dice
Signifying that something important or exciting is about to be said.
Yeah
An affirmation of enthusiasm or agreement with the vibe.
Que me sigan toa' las palga'
Inviting all women—regardless of body type—to join the fun and excitement.
Gorda', flaca' que el perreo lo dominan
Celebrating that women of all shapes possess the skill of dancing provocatively.
Y si se portan bien, ya saben también
Indicating that good behavior will be rewarded, teasing the listeners.
Que yo no amarro, que yo las pongo en nómina
Proclaiming that he won’t confine them; instead, he showcases them prominently like on a payroll.
Sin pensarlo te voy a machucar, -car
Without hesitation, I’m about to take control and impress you physically.
Voy a darte alante y por detrá', -trá'
I’m going to approach you from the front and the back, highlighting seductive intentions.
No es popera, pero quiere por ahí atrá'
She may not be mainstream, but has a desire for experiences that are adventurous.
Austin ya me dijo que tú ere' tremenda sata
Austin informed me that you're quite scandalous or daring, adding to her allure.
Y si te viré yo, tú sabe' que
And if I turn you around, you already know what happens next.
Yo te lo meto (sí)
Implying a bold intimacy, indicating a willingness to take things further.
Yo empiezo perreando y te falto el respeto (sabe')
I start dancing provocatively and may push boundaries, emphasizing playful disrespect.
Te pongo a cabecear y eso pa' mí es sí, sí (what?)
Getting you to nod along, which signals mutual consent and attraction.
Con una en bellaquera, ma, a lo De La Geezy, perreando
With one in the mood, reminiscent of De La Geezy’s style, we dance passionately.
Ay, sí, sí, sí
Expressing excitement and agreement, amplifying the celebratory feel.
Mucho krippycito, ma', yo sé que tú fuma' (uh)
Acknowledging that there’s a vibe of indulgence around with hints of smoking weed.
Ay, sí, sí, sí (what?)
Restating the energy and asking if the listeners are catching on to the vibe.
Andamo' bien suelto' y ya descatamos a Maluma
We’re feeling liberated and the presence of Maluma has definitely enhanced the atmosphere.
Ah, tráigamo' la mota, que vamo' a quemar
Let’s bring the marijuana because we’re ready to enjoy and indulge ourselves.
To' lo que me pida' me lo voy a dar
I’m willing to give you whatever you ask for, creating a sense of hedonism.
Hoy nos vamo' a dañar
Tonight, we’re going to let loose and perhaps overindulge in excess.
Si me ponen a quemar, si me ponen a fumar
If you're encouraging smoking, then I'm definitely going for it.
Claro que vamo' a hacerlo
Of course, we’re definitely going to indulge.
Vamo' a romper la regla, vamo' a portarnos mal
Let's break the rules and misbehave tonight, fully embracing the wild side.
Así vamo' pa'l infierno
This reckless behavior might lead us to a metaphorical hell, emphasizing the thrill of rebellion.
Desde ayer me dejaste mal de la cintura (¿de qué? ¿de qué?)
You left me feeling sore in the waist since yesterday, hinting at a physically intense encounter.
De darte tanta candela pura (wuh)
From giving you so much fiery passion and intensity, celebrating the heat of the moment.
Que me sigan toa' las palga'
Reiterating the call for all women, regardless of body type, to join in the fun.
Gorda', flaca' que el perreo lo dominan
Reaffirming that all women excel at dancing seductively.
Y si se portan bien, ya saben también
Encouraging good behavior with the promise of rewards.
Que yo no amarro, que yo las pongo en nómina
Proclaiming freedom for women, as he features them boldly in his life, just like on a payroll.
Y que me sigan toa' las palga'
Reinforcing the idea that all women are welcome to join in the celebration.
Gorda', flaca' que el perreo lo dominan
Emphasizing the inclusive nature of the dance and the confidence of women.
Y si se portan bien, ya saben también
Assuring that those who behave nicely will receive positive attention.
Que yo no amarro, que yo las pongo en nómina
Reaffirming the idea of not binding women to him but instead highlighting their roles in the fun.
Don Juan
Referring to himself as a seducer or romantic figure, evoking charm and allure.
MadMusick
Signifying the creator of this energetic rhythm and atmosphere.
Lyrics © Sony/ATV Music Publishing LLC Lyrics Licensed & Provided by LyricFind
Written by: Giencarlos Rivera, Joel Munoz, Jonathan Rivera, Juan Luis Londono Arias, Randy Ortiz